Writing no longer buys a champagne lifestyle…

Writing no longer buys a champagne lifestyle

I’m sure the only surprise in this title is – did it ever?

After all, if it was easy to get published then we wouldn’t all be banging our heads against a brick wall grinding out novels one blood-soaked word at a time.  I once watched a TV programme about a man who wanted to give up his current job to become a writer.  The presenter showed the man a pile of telephone directories and said, “this is how many people write books each year”, he then picked up just two of the directories and said, “this is how many books are published each year. Finally, he ripped out a handful of pages from a single directory and said, “this is how many books pay enough for the author to write full-time.”

“..pay enough for the author to write full-time.” The first time around I missed that part.

In the second line of this post, I purposely talked about getting published rather than getting paid.  That’s because for many of us, me included, it’s the ‘getting published’ part that seems to be the initial hurdle, everything else in this uphill struggle seems irrelevant – if I’m running to catch the last train home and it’s about to leave the station, I’ll jump on it and worry about the ticket later. However, what that programme told me, and what the news story above seems to suggest, is that it may not be enough to just get published, even more than once, if your dream is to write full-time.

AJ Dalton talked in an interview recently stating that he still has to teach as it provides a source of income that his books simply don’t provide at the moment.   Furthermore, his book contract requires him to produce a book per year which only tightens the constraints further. He has to juggle writing part-time with holding down a full-time job (no debates on whether teaching counts as a full time job!!)

And he isn’t the only one. According to those figures in the ACLS survey, only 11.5% of professional writers earn their income solely from writing which is a drop from 40% in 2005.

In 2013, Patrick Wensink had a novel reach the top of an Amazon bestseller list, as well as a review in the New Yorker but it failed to rain money down on him.  In fact, he made a particularly apt quote;

It’s not because we’ve chosen a life of poverty. It’s that poverty has chosen our profession.

His post goes on to show that even a $100,000 advance, after taxes and expenses, leaves around half as actual money in the bank – I don’t know about you but I earn more than that now in my mundane IT job. In theory, if I can get a contract that pays me $100,000 a year writing, I’m probably still financially better off turning it down and keeping the job I have (but WHAT a choice that would be).

The news doesn’t get any better either. Whilst the link at the top of the post talks about authors earning an average of £11,000 (about $18,500), an older story by The Guardian suggests that most writers earn less than £600 (about $1000) as an annual income.  Back in 2012, when e-books and self-publishing were rising in popularity, Seth Godin went as far as to suggest that, in this age of downloadable movies and music, shouldn’t we as authors just be happy for someone to read our work rather than expecting to be paid for it?  Is it right to suggest that art shouldn’t have a price tag?

Taking a different stance, we have Lynn Shepherd asking the likes of JK Rowling to actually stop writing to give the rest of us a chance at stardom. Personally, I don’t see Manchester United losing matches on purpose, or Sebastian Vettel slowing down a bit so why should the likes of Rowling lay down her pen? Eventually, readers will look for something else, the market will adjust, and other authors will naturally get their chance.

So, where does this leave us as aspiring authors?  The world is changing at a fantastic pace, often quicker than many of us can react to; what we think we want now may not be the same thing we want in the future.  We all know getting published is a huge obstacle and to think that making a lot of money from our work is going to be any easier may just be naivety.

I suppose it depends on whether you are a glass-half-full or a glass-half-empty type of person.  For some of us, the monetary value is of little concern and we would write if we were on a desert island with little chance of rescue and a box of ball-point pens.  For others, writing is less of an art and more of a job that must be reigned in and managed with professional accuracy; if it looks like we aren’t going to make money, then it’s onto the next big thing that will.

For me, I’ll just be happy to see my words in print and a smile on someone’s face as they read it.  If there’s enough money left in the pot to allow me to do it again, I’ll have a smile on my face as well.

Disaster at Sea!

No, the ship I was on didn’t sink. I inadvertently set sail around the Med without the pile of books that I had planned to read (apologies to both A.J Dalton and Saladin Ahmed).

There were, however, a few bright notes;

1) I did manage to find  77 Shadow Street (Dean Koontz) in the Independence Of The Seas’ library so I wasn’t completely book-nekkid (see what I did there?).  Although I enjoyed the book, I found it somewhat similiar with regards to the ‘haunted house / time loop’ novels out there and, as someone who doesn’t read that much horror, I can only imagine there are plenty more similar types that I haven’t read. Interestingly, back in April I read Koontz’s book on “Writing Popular Fiction” so I may spend some time going back and seeing how 77 Shadow Street stands up against the advice Koontz gave back in 1972 (although I’ll have to buy a copy as I faithfully returned the book to the library before I disembarked).

2) The few writing magazines that I had intended to read on the coach journeys around Europe ended up being devoured on-board so I have a bunch of topics for blog posts in the next week or so (once I find my bookmarks).

3) Speaking of bookmarks; in the midst of reading 77 Shadow Street, I found a slip of paper that someone had previously used to hold their position in the book.  All it had on it was a cryptic message of ‘cup 11’.  No idea what it may have meant but it did get the creative juices flowing and it’s given me an idea for a short story.

4) The lack of reading materials gave me more time to listen to Led Zeppelin and Pink Floyd 🙂

So, back on terra firma and I’m looking forward to making some great gains on the first draft of A Treasure Found as well as the amuteforamuse website and, of course, this blog.

Interview with AJ Dalton (SFF World)

Shamelessly taken from SFF world via AJ Daltons own blog.

If I’m successful in my application to Manchester Metropolitan University, then AJ Dalton will become one of my tutors in September. I’ve taken a look at the other tutors and he seems to be the one with the biggest foot in the fantasy genre (is that even a saying?) so he may well be my main focus of inspiration and enlightenment. Of course, that’s a big responsibility and many may pale at the thought but, as he isn’t a follower of my blog, he probably won’t know the weight upon his shoulders.

So, with a two-week holiday coming up on the 12th July, I’m going to shoe-horn his books into my reading plan for 2014 and get through them whilst I sit on the deck of a ship somewhere in the middle of the Mediterranean Sea.

As he is an author of epic fantasy novels, if the ship decides to sink, I can always strap his trilogy of books together and use them to keep my wife and I afloat until we are rescued.