Week 7 was the final week of our work towards the end-of-term assignment; Creating a personal writing manifesto. This particular week leaned more toward discussions of other creative manifestos and had less content which allowed us to concentrate more on our own manifesto.
The weekly video was an interview with the senior curator at MIMA, the Middlesbrough Institute of Modern Art, a chap called Miguel Amado. I felt this was a very awkward interview for a number of reasons. Firstly, Miguel stated that his favourite word was black, and that he has only ever worn black clothes since he was a teenager. Furthermore, he suggested that this was an extension of his personality – something I found very difficult to understand, especially as his work in modern art must introduce him to colour on a daily basis. Secondly, I thought the manifesto discussion was very much politically biased, discussing topics such as ‘Futurismo‘, the Communist manifesto by Marx and Engels, and the Cannibalist manifesto. I have to admit this was a very deep interview; I’m not very politically motivated and, whilst I do respect his views, they aren’t something that I can relate to.
There were no keywords for this week which I found comforting as my mind had been blown to bits by the weekly video by that point.
The writing exercise for this week was a group-based exercise where we all had to come together to form a group manifesto. As with all of the workspace tasks, there is no right or wrong answer, and there is a healthy amount of respect paid to all who post in it. Due to this, I felt that our own groups manifesto was quite poor, being little more than individual statements that we posted with no-one willing to argue, nor discuss, what anyone else had written. I think we missed a great opportunity with this being so close to our assignment work.
Supporting materials pointed us in the direction of the Imagist Poets, which was a group of poets brought together as a school of images. It seemed to be quite a brief movement as critics marked it from 1908 – 1917. The rest of the reading material were references to the manfiestos that Miguel mentioned during his interview and also a look at the ways that MIMA is using localism, useful art and arte util.
As the workshop this week was the group exercise, there were no individual critiques at all. So I’m still waiting for any comments.