Writing no longer buys a champagne lifestyle…

Writing no longer buys a champagne lifestyle

I’m sure the only surprise in this title is – did it ever?

After all, if it was easy to get published then we wouldn’t all be banging our heads against a brick wall grinding out novels one blood-soaked word at a time.  I once watched a TV programme about a man who wanted to give up his current job to become a writer.  The presenter showed the man a pile of telephone directories and said, “this is how many people write books each year”, he then picked up just two of the directories and said, “this is how many books are published each year. Finally, he ripped out a handful of pages from a single directory and said, “this is how many books pay enough for the author to write full-time.”

“..pay enough for the author to write full-time.” The first time around I missed that part.

In the second line of this post, I purposely talked about getting published rather than getting paid.  That’s because for many of us, me included, it’s the ‘getting published’ part that seems to be the initial hurdle, everything else in this uphill struggle seems irrelevant – if I’m running to catch the last train home and it’s about to leave the station, I’ll jump on it and worry about the ticket later. However, what that programme told me, and what the news story above seems to suggest, is that it may not be enough to just get published, even more than once, if your dream is to write full-time.

AJ Dalton talked in an interview recently stating that he still has to teach as it provides a source of income that his books simply don’t provide at the moment.   Furthermore, his book contract requires him to produce a book per year which only tightens the constraints further. He has to juggle writing part-time with holding down a full-time job (no debates on whether teaching counts as a full time job!!)

And he isn’t the only one. According to those figures in the ACLS survey, only 11.5% of professional writers earn their income solely from writing which is a drop from 40% in 2005.

In 2013, Patrick Wensink had a novel reach the top of an Amazon bestseller list, as well as a review in the New Yorker but it failed to rain money down on him.  In fact, he made a particularly apt quote;

It’s not because we’ve chosen a life of poverty. It’s that poverty has chosen our profession.

His post goes on to show that even a $100,000 advance, after taxes and expenses, leaves around half as actual money in the bank – I don’t know about you but I earn more than that now in my mundane IT job. In theory, if I can get a contract that pays me $100,000 a year writing, I’m probably still financially better off turning it down and keeping the job I have (but WHAT a choice that would be).

The news doesn’t get any better either. Whilst the link at the top of the post talks about authors earning an average of £11,000 (about $18,500), an older story by The Guardian suggests that most writers earn less than £600 (about $1000) as an annual income.  Back in 2012, when e-books and self-publishing were rising in popularity, Seth Godin went as far as to suggest that, in this age of downloadable movies and music, shouldn’t we as authors just be happy for someone to read our work rather than expecting to be paid for it?  Is it right to suggest that art shouldn’t have a price tag?

Taking a different stance, we have Lynn Shepherd asking the likes of JK Rowling to actually stop writing to give the rest of us a chance at stardom. Personally, I don’t see Manchester United losing matches on purpose, or Sebastian Vettel slowing down a bit so why should the likes of Rowling lay down her pen? Eventually, readers will look for something else, the market will adjust, and other authors will naturally get their chance.

So, where does this leave us as aspiring authors?  The world is changing at a fantastic pace, often quicker than many of us can react to; what we think we want now may not be the same thing we want in the future.  We all know getting published is a huge obstacle and to think that making a lot of money from our work is going to be any easier may just be naivety.

I suppose it depends on whether you are a glass-half-full or a glass-half-empty type of person.  For some of us, the monetary value is of little concern and we would write if we were on a desert island with little chance of rescue and a box of ball-point pens.  For others, writing is less of an art and more of a job that must be reigned in and managed with professional accuracy; if it looks like we aren’t going to make money, then it’s onto the next big thing that will.

For me, I’ll just be happy to see my words in print and a smile on someone’s face as they read it.  If there’s enough money left in the pot to allow me to do it again, I’ll have a smile on my face as well.


I’m in a rut.  Like every aspiring writer, I’m not only concerned with finishing my novel, re-drafting it and editing it.  I’m concerned about rejection.

Sad face on window

When the muse is bored with snatching the words from my mind as soon as they appear, she switches tact; she allows me to write, but under a cloud of self-doubt and rejection. I understand that you have to write something first to get rejected, so at least you’re still accomplishing something even if your novel isn’t quite what the publishers are looking for but I’m sure it isn’t what apsiring writers aim for.

So, whilst I watch the ice-cubes melt in my glass of Coke and imagine all the rejection letters my novel is bound to attract, I start thinking about how successful authors have had to deal with this.  

Literary Rejections is a website that has managed to collate many of the more famous rejections stories relating to famous authors in the past, or describes the rejection process in more detail (I personally like the Hollywood Script rejections with a staple 17 reasons and all the playwright received was a tick against one of them.

Another website is 100 rejections and, whilst having only 78 on their list makes you wonder if they looked hard enough, it does provide further ammunition to bring down those nagging thoughts.  Interestingly, JK Rowling’s success being down to a CEO’s young daughter had parallels with Tolkien’s Hobbit experience when being reviewed by 10 yr old Rayner Unwin. Maybe children are the best judges after all?!

One last point to finish with is that even though these authors have long since made their names (and assumingly riches), it was only a few days ago that we found out JK Rowling had written a novel under a pseudonym, Robert Galbraith.

Guess what??!?  That’s right – it was initially rejected.


What’s in a name? A JK Rowling story

JK Rowling revealed as author of The Cuckoo’s Calling

So, it seems JK Rowling has come forward (albeit after a bit of persuading) as being the crime-writer author ‘Robert Galbraith’. JK Rowling wrote The Cuckoo’s Calling under the pseudonym as a liberating exercise and to see what feedback would be like without all of the hype and publicity.

As Robert Galbraith, the hardback had currently sold about 1500 copies, yet with the cat out of the bag, it seems that people are falling over themselves to grab a copy with supermarkets and bookstores running out of hard-copies almost immediately.

Furthermore, The Cuckoo’s Calling is now at the top of the Sales Rank for Amazon, with a 415,800% increase in sales taking it from about rank 4159 to 1.

Whilst I admire JK Rowling’s perspective to write a novel as a complete unknown (it had been rejected at least once), it does make you wonder where the truth about her writing lies – is it with the 1500 hardback copies originally sold, or is it with the countless thousands that will no doubt sell now that her secret is out?